PEOPLE
Leica V-Lux in hand, Tesauro keeps one eye on cheap tickets to far-flung places … and another in the range-finder.
His first camera was a 1982 Kodak Disk 4000,
but Tesauro’s never been a photographer. That term implies F-stop fluency and dark room proficiency. From the beginning, Tesauro leaned into the camera as a tool to support his storytelling. Eventually, editors trusted him to shoot his own images and his work has landed in The New York Times, The Washington Post, Travel+Leisure, Esquire, Decanter, and others.